

The murder of Kyle Dinkheller took place on Monday, January 12, 1998, when Dinkheller, a deputy in the Laurens County, Georgia, sheriff's office, pulled over motorist and Vietnam War veteran Andrew Howard Brannan for speeding. Now, back in the Twin Cities, Tran feels he’s landed in the right place to pursue his first passion: framing and selling beautiful original art. There he opened a successful automobile detail shop.


Tran went on to open his own frame shop and gallery space in the Seward neighborhood of Minneapolis in a storefront across the street from the Northern Clay Center.
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“They hired me on the spot, taught me how to frame and taught me how to sell art,” he says. He stopped into a local gallery and asked if they needed help. Khanh Tran went to college and discovered framing as a potential profession. The family again packed up their belongings and headed for Bloomington, Minnesota, where Khanh’s uncle lived.

The boat arrived in Japan and the passengers were moved to a refugee camp, where eventually they were given entry visas to the U.S. “He wanted to escape Vietnam for the better,” Tran say. He boarded his 4-year old son and 20 other children and 10 adults to set out for a more prosperous life. Looking to escape war-torn Vietnam, Khanh’s father saved what little money he could and bought a 30-foot boat. The Trans’ family story of success in the face of adversity began on a boat in the Pacific Ocean in 1978. “It’s not easy to open five businesses from nothing. Together, they built Tran’s Tailors, a chain of tailor shops throughout the Twin Cities. His father was a tailor, his mother a seamstress. Tran credits his entrepreneurial spirit to his parents. He developed relationships with many of the artists and makers in the building during that time, making the new gallery arrangement a natural fit. He previously rented a small studio in the building to store his framing equipment while pursuing other interests.
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He designed the space with crisp white walls and professional grade track lighting.Īs a tenant of the Dow Building for several years, Tran had been watching the storefront space for some time. “It’s a win-win for everybody,” Tran says. So far, 16 artists from the building have taken him up on the offer.Ī frame shop needs artwork to frame and display, while artists need a clean, sleek space to show and sell their work. Rather than take a commission on works that sell out of the shop, he charges artists a flat monthly rate to display their work. Khanh Tran opened Frame by Frame in the building’s storefront in September and plans to have his frame shop double as a gallery for artists in the Dow Building. Now an innovative framing business with a unique model is giving the inner creativity of the Dow Building an outwardly visible face. Paul are studios in which more than 30 painters, woodworkers, metalworkers and photographers create their work. Within the unassuming Dow Building at 2242 University Avenue in St.
